Hogarth, Museum Image Collections. William Hogarth: The Engravings. Its imagery, borrowed - ironically - from "high" art (e.g. Jürgen Döring, Eine Kunstgeschichte der frühen englischen Karikatur, Hildesheim: Gerstenberg Verlag, 1991 Schriften zur Karikatur und kritischen Grafik,. Includes a "Biography" of some length; "Selected expat sites de rencontre pays-bas Works" ; "Suggested Reading" ; an Index by Period on 18th Century Narrative Painting (1750-1800) ; and some "Additional Resources". Deals with opposing views of the city, prostitution as a profession, art as political criticism, etc. Examines the six engravings of A Harlot's Progress as if they composed a motion picture's preparatory "story board" or as if they were frames in a black-and-white silent film. From Dryden to Johnson (1997). Hogarth's Hidden Parts: Satiric Allusion, Erotic Wit, Blasphemous Bawdiness and Dark Humour in Eighteenth-Century English Art, Hildesheim, Zurich, New York: Georg Olms, 2010.
National Gallery - Official
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Enthusiasm Delineated as an Anti-Eucharistic Demonstration 586.10.10. Anas Le Fèvre-Berthelot, "William Hogarth" (2007), La Clé des Langues (Lyon). Two dozen of these can be previewed on the screen. Contemporary Discussion of Religious Art: The Ornaments of Churches Considered site de rencontre polonais usa (1761) 470.10. The European Enlightenment Gallery: William Hogarth. Göttinger Taschen Calender 1787: Georg Christoph Lichtenberg, Leichtgläubigkeit, Aberglauben und Fanatismus.